Wednesday, July 30, 2025

the "more light" installation diary part 3

Here we are again for the last couple of diary days.  Thanks again for reading this.  I hope it helps you in some way and if there's anything you want to discuss further, I'm a big fan of coffee, obviously.  You can also comment or email me.  And if you're finding this in the future, you'll want to read these entries chronologically, of course.


On Thursday, I got to run with my beautiful friend again.  In truth, he's just beautiful and not much of a runner.  He can fish, though.  Oh, and he can fly, so he wins.


This is the most accurate depiction of Summerville.  It's so Southern and beautiful.  I have real feelings about this place. No idea whose house this is, just ran by it Thursday morning.


On Thursday, July 17, I got up at 6:00 after not really sleeping much and ran.  Just so everyone knows, sleeping is one of my superpowers.  I can go to sleep in a nanosecond when I'm in my environment and things are normal.  Like, seriously, I normally can't remember my head hitting my pillow.  I can also stay asleep all night.  The thunder that rattled the windows and shook the house?  I only hear about that when morning comes.  I'm really good at sleeping.  This is to let you know how abnormal it feels for me to go days without getting good sleep.  This always seems to happen on an out-of-town install when my brain is running marathons of thought.  So after another restless night, I ran, got breakfast at Biscuit Belly and gave a Post-It note to the cashier.  Then, I spent the morning adding some final touches and Easter eggs to the wall drawings at Public Works.  I like to put Forest and Oscar in my murals and I found the perfect creature to be my Oscar this time.  This was a little stressful because I had to take images of a real tree frog and abstract it enough in my sketchbook to be happy with it.  Then I had to translate that somehow onto the wall to fit the space I had.  Nothing like doing hard things in the final hours before a show opens with an audience.  Oh and that white sculpture I put in the corner and it sort of disappeared into the wall?  On Sunday, Katherine had suggested that I draw on it with a marker.  That would unify better with the large sculpture which also had drawings on it and would help the sculpture be more visible against the wall.  I liked the idea and it was one of the many ideas swimming around in my head while I tried to sleep all week.  With the pressure on, why not also try to draw on the sculpture with permanent marker and not mess up just hours before the reception begins?  I'm clearly an idiot.  

I also drew a little mushroom (just like the one I saw in her sketchbook) for my new friend Blair.  I added a lot of small things as people were walking through.  I could hear them talking and one guy said “it’s like Dali and Mad Magazine all mixed together”.  I smiled and said thanks.  Then he came back later and added, “With a little Monty Python in there too.”.  What a nice thing to say!  By 11:30am, I was finished.  I made a few videos and took some photos and then headed back to my bed at South Porch to take a much needed nap.  There was still a lot of Thursday to come.

Later in the afternoon, I made a trip back to the Fly Vintage place to get one of the shirts I had tried on and then went to get ready for the reception.  I made a stop at Montreax’s and then walked over to Public Works ready to be social.  Several of the artists in the curated show came and I got to talk to them.  Kevin Jones, Andrew Blanchard, Emily Furr, Devann Gardner, Katherine Rumminger, and Lesya Malskaya were there.  They are all such wonderful people and I hope you all get to meet them at some point in your life.  Your life will be better because of it.  I did the artist talk for my show at 6:30 and the curator’s talk for the other show at 7:00.  Both seemed to go really well and I had a lot of audience interaction and questions.  It was conversational and fun.So many people said lovely things and it was a really positive and wonderful time.  

I was a little surprised to see my new friend Blair walk in with her parents.  I wasn't sure they'd make it but as soon as they got out of a practice, they rushed over to try to catch me before I left.  I messaged Amanda and told her I drew a surprise for Blair.  Blair was so good at finding little images in my drawings the day before, I knew she'd find her mushroom too.  It took her less than a second.  She thanked me by making me a colored clothespin which is now hanging as a decoration in my home studio.

Even with all that wonderfully positive stuff, or perhaps because of it, the unavoidable gloom started to set in.  I could see the little black cloud gathering in the corner and it started to chase me around the gallery as the night came to a close.  This happens to me after any event like this.  It’s like, the fun is over and I know it.  Especially in Summerville, I get treated like a rock star for a week and then suddenly, I transform back into a regular guy and disappear back into the country.  But Thursday was incredible and I had one of the better nights of my life before the gloom took over.  


Highly recommend Biscuit Belly.  


I also recommend doing hard things even when you're afraid.  You'll never know unless you try and Thursday was the day to try new things.


Here's a glimpse of the finished exhibit.


Another glimpse, but really, I can't stress enough how you need to go stand in this space in order to really get the whole feeling the exhibit can provide.  


The newly finished sculpture.  Is it my best work?  No, but it's pretty dang good and the drawing made me like the sculpture even more.  Thanks Katherine.  


Have you seen the world's largest sweet tea?  I have, several times, and I left a free drawing there.  I guess I overlooked that part here, but I left a drawing somewhere in town every day that I was there as a thank you to this really sweet town.  Also, I don't even drink sweet tea.  


The finished Vault interactive exhibit.  A lot of this was other people's work.  I stole the idea from my students from the last 10 years and then Katherine and Linda installed all the stuff.  I did draw a heck of a lot of Post-It notes, though.


Blair found her mushroom and took a photo with me.


I forgot to take any photos all night, but I photobombed Devann and Katherine and then stole the photo from Devann.


I stole this one too, Devann.  Thank you for taking photos.



Friday, July 18, I woke up before 6:00am without an alarm, again.  UGH.  I ran, packed up kind of slowly and enjoyed my last few moments at South Porch with Brad and Brian.  South Porch Artist Residency is such a cool place and I LOVE Brad and Brian.  The house is so beautiful and I’ve had two really great stays there.  I highly recommend them to all my artist friends.

I was looking forward to sleeping in my own bed on Friday night, but the gloom was with me like my own personal little black cloud as I moved through my morning.  I made my way to Coastal Coffee for one last breakfast and coffee and I decided to sit and sketch for a while as I enjoyed it.  I love the people there and one of the good baristas made my coffee and it was perfection.  Then I saw Jude, Dan and Jana’s oldest son who works there when he brought out my food.  A couple of minutes later, I felt a hand on my shoulder and it was Dan.  He saw I was eating and drawing and he just spoke and said he was there to grab a coffee.  When I closed my sketchbook and finished my breakfast, I saw that he was now seated across the restaurant.  I took the opportunity to go talk a little more with him and ended up sitting down and catching up for a few minutes.  This was one of those moments when I didn’t realize I needed some community but I got community delivered to me anyway.  I don't believe in coincidences and am convinced that this opportunity to talk to Dan was a little fist bump from God.  Dan was a little life jacket that morning and instead of settling in for a 2 hour drive with the black cloud, I left with a smile and a really good feeling from having spent time with him.  I went straight to PWAC to say goodbye to Jana and Forest and to see their new cat (I know, but seriously, I did go to see the cat too).  I love the Rileys dearly.  Summerville is lucky to have so many wonderful people living there now.  

A moment of appreciation for Spanish Moss.  I love the Lowcountry so much.


The good barista must have read my aura because this is SO me Friday morning after a reception.


Highly recommend Coastal Coffee and the challah french toast.  Coastal has fueled at least three of my weird mural installations at this point and I look for excuses to go there.



During a week like this, I am mostly focused on the tasks I have to complete by a deadline.  I am thinking about drawing pretty much all day every day and apparently, a good portion of the nights as well.  I can go to this place in my mind and block out most of my everyday thoughts and concerns because there's pressure to get things done perfectly and on time.  It was funny, though, as soon as I finished the murals and walked out of the gallery on Thursday morning, I immediately remembered my dogs.  I mean, I missed the family too, but for the first time all week, I felt the absence of the dogs.  It was sudden and weird.

When I arrived home Friday afternoon, the dogs remembered me too.  They were the first to greet me at the door with wagging tails and licking tongues.  That night, I slept comfortably in my own bed with both dogs wedged up against me.  I do remember my head hitting the pillow and there was an awkward moment when I wondered if I'd lost my superpower of sleep.  Soon, though, I was gone and I slept soundly all night.  When I woke up, the little black cloud was still there and it stayed with me for a while getting a little smaller each day.


I don't know how to explain the gloom but I know to expect it after a reception and after an installation like this.  The people in Summerville treat me so well and say so many wonderful things that being there is like a mountaintop experience.  I just don't live on a mountaintop.  I think most of us live somewhere between the valley and the peak and part of the fun of life is to move up and down and experience all the things.  Heck, even if you do live on the mountaintop, don't you have to go out for groceries at some point? 

And if you're one of the people who give me a hard time about repression, here's where you get to find out that I am actually a pretty healthy and self-actualized human.  All those "emotions" that normal people feel and experience? I have those too.  I like to be aware of them and see them coming (even when they try to sneak up on me like Jana's dad) and I like to catch them and send them off to walk around and explore for the day.  During a busy time, I'll send a lot of them out on a little walk so I don't have to think about them until I'm ready.  But dude, when they get ready to come home, they come home.  That whole "your chickens have come home to roost" expression?  Sometimes I live that expression fully.

Drawing both positive and negative things on the walls all week while studying my more intense wood drawings and steel sculptures reminded me of all the thoughts, emotions and experiences that went into their creation.  All those stories and memories swirled around in my head while I tried to catch each one and send them off for a walk.  On Friday, they all came home and it took a little time and a lot of running to deal with them.  


So that was my week in three parts.  I did all the things and felt all the feels and got it done in time for a nap!  I am forever grateful to my friends at Public Works Art Center and, heck, just about the entire town of Summerville, SC for treating me so well that week.  I strongly encourage you to take a little trip there before September 6.  Get you a room at Chick Inn On Main or one of the other cool B&Bs in town and have a slower pace for a few days.  Go see my three exhibits at Public Works and go buy those floral 1990s Doc Martens from Fly Vintage.  Have dinner at Montreax, have breakfast at Biscuit Belly and Coastal Coffee.  Find Jana and Dan and introduce yourself, they're the kindest people you'll ever meet.  Grab a burger at Matt's Burgers.  Walk through Azalea Park and definitely, go see the World's Largest Sweet Tea.  Maybe I'll see you there. 


the "more light" installation diary part 2


Before we get started back with our story, if you're reading this, I hope you realize that you are getting me at my most vulnerable here.  My ability to repress emotion is widely known and my inner circle of trust is smaller than a nose ring on a bacteria.  My decision to be more vulnerable here is purely educational in the hope that it sheds a little revealing light on the idea that if a person makes happy stuff, they must be happy all the time.  I may be one of the most pleasant people you ever meet, but I assure you, as a sensitive artist type, I'm feeling all the feelings really hard all the time.  It's the only way I can make what I make.  Even if you encounter me on my hardest day, you're likely going to walk away thinking that I'm really nice and goofy.  If you happened upon my path on Wednesday, you're witness to that fact.  So thanks for being interested, let's continue...


Miscreant street cats assaulting me on my run.

Tuesday, July 15 was also pretty productive.  I was up at 6:00am again without an alarm.  Still thinking and problem solving in my sleep.  I ran through town and got jumped by this gang of miscreant street cats!  I barely escaped with my life and after a shower, I decided to get breakfast at a new place called Biscuit Belly.  It was really good.  I had a regular coffee there and then followed up with a good coffee from CafĂ© de Fleur, which was also new to me.  (I'm not throwing shade on the Biscuit Belly coffee, it was just a drip coffee and to me, "good coffee" is expresso with something added.)  The second coffee (and the third because I couldn’t resist getting a “cafecito”, a shot of espresso with brown sugar) was probably not the best idea because I was buzzing with caffeine and anxiety by the time I got to the gallery.  This was the first day that the installation was open to the public so people were going to be coming in all day and watching me draw. I enjoy this part because I do like talking to people about my work but as the hours crept by, I felt like my attention was being pulled in so many different directions.  I was meeting people, taking photos with people, giving advice on the hanging of the curated exhibit and trying not to fall off the ladder, all while trying to keep my mind focused on the narratives unfolding on the walls and worrying about composition.  The thing that’s hard to communicate about an installation like this is the amount of pressure involved in people watching you work in real time.  I draw alone in my studio with no distractions 98% of the time.  Drawing in front of people and being afraid of messing up is a lot of pressure.  Luckily, people were very nice and they said really kind things as they walked through.  Summer camps for kids were taking place in the downstairs classrooms and the kids would walk through the gallery on their way to go outside.  I would hear "wow!", "cool!" and things like that while hanging off the ladder.  This one kid got himself separated from the rest of the line and he intentionally walked over to me and asked, "Is this your art?"  I said yes and he responded, "Wow, it's really good!".  Honesty from a kid...that's really the most pure form of art criticism. 

This was coffee number 3 for the morning.  Not the best decision.


Linda and Katherine were around to help get the Vault exhibit installed while I drew.  I got to meet Abbey, a local muralist and several local art teachers who helped hang the curated exhibit.  One of the highlights of Tuesday was finally getting to see Jana, Forest, Oscar and Dan and talking to them.  It was so exciting to get to get caught up on all the new, cool things happening around PWAC and how Jana is making these things happen.  I got hugs and high fives and got some good feedback about how things were going.  

One of the artists from the PWAC studios took my phone and said she was taking some photos for me. 


The Vault exhibit in progress.


My gnarly pinky that doubles as my compass center.

I know you're probably sick of hearing about my broken pinky, but I have to put this here for posterity.  When Walter accidentally broke the last inch of my pinky, I opted to do almost nothing about it because it would have cost thousands of dollars to fix it and...it's a pinky.  How often do you really need to be able to straighten out that last knuckle?  Well, if you're drawing on the walls and that pinky is on your dominant hand, you find out pretty quickly how important that pinky and its last knuckle really is.  To keep my hand steady, I rely on dragging my pinky along the wall.  Usually by the end of an installation, the pinky nail is worn down to the sensitive area from the friction.  I thought that with the pain subsided, I would be fine, but I did not foresee the trouble I'd have with circles.  To make small circles (larger than a nose ring on a bacteria), I plant my pinky and move my arm around.  WIth the new crooked pinky, there was a huge learning curve to figure out as I worked, so that will explain some of my early, wonky circles.  Now you don't need to point them out to me.  

Pinky adjacent story:  I did manage to fall-ish off the ladder.  Coming down to reposition the ladder, my shoe got caught on the step and I went over the edge.  I reflexively grabbed the ladder and managed my fall so I'd end up on my feet instead of my head.  It made some noise and garnered the attention of the two people in the gallery.  I was fine and I scurried back up the ladder to keep drawing realizing only a few seconds later that I had grabbed onto the ladder with my injured pinky and now it was throbbing once again.  The best part of this story is that the time lapse didn't capture my fall!  Let's just hope Jana doesn't go back through the security footage for that day.  

Tuesday was filled with so many conversations, interactions and decisions.  By the end of the day, I was exhausted physically and mentally.  This day was a lot to balance with all the interpersonal stuff.  I still did more late night Post-It note drawing before falling asleep.  It's odd to be so physically and mentally exhausted and still not be able to fall asleep quickly.  



Wednesday was July 16.  It started early again without an alarm after a night of restless sleep  I took it as a good omen when I had a beautiful red tailed hawk fly low over my head as I began my morning run through town.  If this were a movie, though, the narrator would have started out by saying “Little did he know…” because what a day this would end up being.  I had some delays getting to the gallery, but I was able to grab a to-go breakfast and a couple of coffees from Coastal Coffee.  I’m a coffee snob and a different, unknown person made my two amaretto lattes today and they just didn’t hit the same.  The coffee had me buzzing but I zoned out and kinda stayed in my head all morning in a good way.  Visitors came through and talked and I know I talked to some of them, but I was focused on getting the drawings done.  In the back of my mind, I had the thought that if I could finish everything today, I could maybe take a little trip to Charleston on Thursday morning and have my favorite coffee on King Street at Cafecito.  I knew it was a longshot, but the thought was there.  If you've ever had Cafecito, you'll understand just how focused and hardworking this thought kept me all morning.  I also knew that with installs like these, I could probably draw for weeks and still find things to add.  So, I put my head down and worked as much as possible.  At 2:30, I had to stop and provide some information and stories to the volunteers at PWAC so that they can help visitors with questions when they come in during the exhibit.  They do such a great job greeting visitors at the door and making everyone feel welcome.  This is one thing that sets PWAC apart from every other gallery I know.  This turned out to be a little more emotional than expected.  

Jana was at the meeting and after I said all the things I could think of to help the volunteers, she decided to share some stories and information as well.  She told the story of seeing her dad experience my first show at PWAC and his positive reaction to it.  It's quite the story and she's told me before but, I don't know, maybe it was because I was in my head so deeply all day or maybe it's because I'm a dad and I'm getting old,  or maybe it's because his reaction is exactly the reaction I'm always hoping for, but when she pulled out her phone and showed everyone in the room the photo of her dad's smiling face in that exhibit, I thought I was going to cry.  I couldn't look at the photo again.

Y'all know I don't feel emotions, but dang, she had my eyes welling up so fast and I had to be very quick with the disassociating in order to avoid a public spectacle.  It was rough, but I made it through with my repression intact and my tears staying inside my eye holes.

Some of the incredible works in my curated exhibit "Hope Despite The Times" (Creighton Barrett, Kevin Jones, Tom Stanley)


More incredible works (Shaun Cassidy, Kevin Morrissey, Jay Owens, Katherine Rumminger)


After this meeting, I was able to work a little more and work on my repression before doing a video interview in the exhibit space for the PWAC social media outlets.  You should have seen this, I was a mess.  I sweat a lot and especially so when I feel like I’m on the spot.  I had two cameras pointed at me and several people staring at me while answering questions.  That’s the definition of “on the spot”, I guess.  I had to keep a towel behind my back to wipe the sweat from my head.  I could feel it running down my back as I talked.  Ugh.  And, of course, Jana's dad was in my head, peeping around corners as I answered questions about why I make these exhibitions and what responses I hope to get from viewers.  I had been dragged out of my quiet, alone place today and I was suddenly being confronted directly with emotions and feelings.  Having to do this in front of cameras was extra challenging.

One of the highlights of Wednesday was meeting Amanda and her daughter Blair.  They came by on Tuesday to watch me draw and I was at lunch with the install crew.  They came back today and I got to meet them.  I still have no idea how they found out about me or why they went to so much trouble, but I’m so happy they did.  Blair is a young artist and she brought her sketchbook to show me her drawings.  That was very touching.  She also had little whales and flowers like mine in her sketchbook.  She made me a little Post-It note with a drawing on it and it made me so happy.  They weren’t sure they were going to make it back on Thursday for the reception but said they’d try.  I was losing the battle with my repression at this point.  Amanda and Blair made me feel special and appreciated and it seemed that this nonsense I was creating in this space was meaningful and important and I suddenly needed to just get out and be away from people and deal with myself. 

With all that happened, both great and stressful, it was a wonderful day with a happy ending, but dude, I was overwhelmed at times.  After the video interview, I added a few more drawings and then gave up on the idea of finishing everything that day.  I opted to grab some late take-out and just go to bed - after drawing on more Post-It notes, that is.  

My friend Jana is so cool and she rides a motorcycle and this is my reflection in her helmet and I just can't believe I get to know cool people like her.


My new friend Blair made me feel like a celebrity.  She's adorable.


She's also a good artist and she's very kind.  On this day, when I needed it most, she came through with this kind note.


Still on the ladder near the end of the fourth full day of installing, holding on tightly to my emotions.


Stay tuned for the rest of the story...


Tuesday, July 29, 2025

the "more light" installation diary, part 1

Install week for one of my immersive solo exhibitions is a big deal and involves all sorts of work and emotions.  Since this isn’t something everyone has experience with, I thought I’d share a little about what it was like to be me from July 12 to July 18.


Public Works Art Center was the first “real” outside gallery to allow me to do one of these exhibits way back in July 2021.  The first one ever was at Lander and it was great, but since that was essentially “home” for me, it was a big deal when Kevin Morrissey called and asked me to do something similar at the fairly new PWAC in Summerville, SC.  He hooked me up with the Executive Director, Jana, and everything went perfectly.  In the years since that exhibit, Jana has remained a very good friend and we’ve often talked about when it might be time to bring my work back to PWAC and to Summerville.


The stars aligned a few months ago and there was an opening in all 3 upstairs galleries at Public Works.  Since Jana and I had tossed around several ideas over the years, it just worked out perfectly for me to come in and do all three exhibits at the same time.  Jana has handed the curatorial duties over to Linda and she immediately got me some information and secured lodging for me for the week.  All of this was happening as the spring semester was rolling along full speed and Linda was very understanding of how busy I was and she trusted me to handle everything, even when I didn’t quite get things to her on time.  I appreciate that.


Trust is a big deal with an exhibit like this.  Drawing on the walls of a white space gallery is just shy of blasphemy.  Of course, having done it there before, Public Works knew more about what they were getting into and they knew that I was likely to do it on time and with a smile.  This is why I teach my students the importance of being nice and working hard.  Sometimes you get a show because people know you can do it.  So as time got closer, I did actually sit down and write an artist statement and figured out who was going to be in my curated show.  Even later, I finally dug through all the art in my studio and in my basement storage and got an inventory list together.  Again, Linda was the essence of patience during this time.  


I’ve said before that show dates on a calendar are very abstract ideas to me.  I put them in my phone so I don’t double book myself, but I don’t make those plans and that exhibit real in my mind until just before the event.  I slowly allow myself to think more deeply about the logistics as time gets closer, but honestly, about a week out, I’ll actually start focusing all of my attention on it.  Heck, I was still making new drawings for this show just a couple of weeks before loading up.  


On Saturday, July 12, I spent the morning carrying drawings outside and loading them into my car.  I think there were 23 of them and they all just stacked up, smaller on top of larger ones until the back of my car was nearly full.  The small sculptures started stacking along the edges and in a tightly packed plastic bin that would have to go in the trailer along with some pedestals and a large sculpture.  After the art was all checked off the list, I began loading in all the extras.  I grabbed extra paint and sandpaper in case of emergencies, all my mural equipment and markers, and all the “just in case” items for the week.  My rule is that it's better to have it and not need it than to need it and not have it.  That night, I packed my running stuff and a bag of shorts and white tshirts.  Then I spent most of the night thinking through every detail of the week ahead hoping I wouldn’t forget anything, you know, during the time I should have been sleeping but my brain wouldn’t let me.


loaded up, gassing up

On Sunday, July 13, I was up with the alarm at 5:10am.  I ran, had coffee and breakfast and hit the road to Summerville.  I arrived by 10:00am and was met at Public Works by Linda who was ready to work.  A few minutes later, Katherine, the world’s best install assistant arrived and we all set about carrying drawings and sculptures inside the gallery.  Once everything was inside, it was time to figure out where it all went.  Linda had a ton of other things to do, helping artists pick up the previous exhibit, patching walls and repainting.  With Katherine’s help, we were able to arrange all the drawings in the space pretty quickly.  We made a couple of fine tuning switches and then, in just a few minutes, we had all the drawings hung on the walls.  It went very fast and I was happy with the progress.  This allowed me to get the first two wall drawings up before leaving pretty late in the evening.  Katherine unwrapped sculptures, thoughtfully placed them in the space and worked on making things for the Vault exhibit while I drew on the walls.  Some artists were still dropping off work for the curated show and I got to see Logan Woodle and Kevin Morrissey while I worked.  I love them.  After dark, I found my way to South Porch Artist Residency, my sleeping place for the week, and got to work on my other project for the week, drawing tons of Post-It notes for the Vault Interactive exhibit.  I did this until I couldn’t keep my eyes open any longer and fell asleep.  

Katherine helping me "eyeball it" and make sure each drawing is exactly where I want it.  The drawings begin to relate to one another and begin a visual conversation.

End of the first day of install.  Not sure about the pedestals yet.

finished the first two wall drawings.

On Monday, July 14, I was awake early without an alarm.  The excitement and brain activity kept me from sleeping too much.  I ran at a nearby park and left a free drawing on a bench before getting a shower and heading to Coastal Coffee to grab some coffee.  One of the highlights of my week was that Coastal Coffee has added amaretto flavor to their menu.  I grabbed two coffees and headed to Public Works.  I saw my friend Emily from Public Works and a few other people who have studios in the building.  Everyone was so nice and I got a ton of wall drawings done.  I completed most of the main wall and started a new wall.  I felt really good about my progress and decided to go to Matt’s Burgers for dinner.  I decided to stay outside in the sun and air for a while and walked around the square.  I needed to get away and have something else on my mind for a bit.  Found a cool vintage shop, Retro Fly Vintage, and made it out without buying anything, but those vintage floral Doc Martens boots, oh man, they were tempting.  Went back to work on the walls for a while and then headed back to South Porch to continue working on Post-It notes until bed.  It was a very good day.  

Found a beautiful friend to run with at Azalea Park.


Two coffees and the mural box.  One coffee for breakfast and the other to fuel my day.  Ready to get started!


The development of the "main wall" along with a sculpture placement that felt right.


The Retro Fly Vintage store.  They play vinyl records while you shop.  Cool people.


End of the second full day of installing.  The walls are interacting with the drawings and sculptures now.


As you can see, I'm getting up early each day, working hard going up and down a ladder or crawling around on the floor all day, trying to remember to eat meals, and then working more on another project until I literally can't keep my eyes open any longer.  

While the physical part is demanding, there's also the mental strain of drawing on the walls knowing that you can't make a mistake and knowing that people are in the space watching you do this.  You ever try to draw with someone looking over your shoulder?  It's not the easiest thing to do.  

There's also the constant intellectual demand.  What does this image mean?  What other three or four interpretations can I also expect?  Will anyone be offended by this?  Is there any possible interpretation that would undermine my narrative?  Did I draw that correctly?  The shape is not exactly right, now how do I fix it?  Is this communicating exactly what I intended?  How did I get to be 53 years old when I still feel 12?  Am I a real artist?  Do these people think I'm a punk?  Am I going to be able to pull this off by Thursday?


Being in another town and having so much that must be done by a specific deadline creates a mental space for me that is completely focused.  I'm thinking about the imagery and composition while I eat, while I run and apparently while I sleep, for better or for worse.  Everyone at PWAC was available to help if I needed it but they were also careful to allow me to work uninterrupted for hours at a time.  I guess soon we'll find out if that worked.  

Stay tuned for the next part of the story.



Saturday, July 19, 2025

THE MCABEE SUMMER STUDIO SALE!!!

It's time for the Summer Studio Sale!  The one day of the year you are actually invited to my house.

Saturday, July 26 you'll be able to tour my drawing and sculpture studios and purchase super cool artwork at super affordable prices.  This year I have amazing guest artists with work for sale.  Here's everything you need to know:

Most Importantly...

Yes, you should come.  Don't know me that well?  Not sure if its for you?  Don't have a ton of money to spend?  Come!  We would love to see you, talk to you, and there are things for every budget!

The location.

Type 6815 Hwy 49 Laurens, SC 29360 into your phone map.  Then drive.

The date and time.

Saturday, July 26, 10am to 5pm

The goods.

Drawings, sculptures, and wearable art will be available from me.  Other guest artists will be here too.  Cool, new, garden art will be available from my friend Leroy Perkins.  Sunny Perkins is also back with some cool stuff.  You have to see it all.  I'll also have all your favorite butt drawings at ridiculously low prices.  Seriously, we'll have all the stuff you can't live without!

The prices.

There will be art priced from $2 up to the hundreds.  There's no gallery commission here, so this is as cheap as you'll ever see it.  Something for every budget!

The payment.

Cash is your best friend.  We take debit and credit cards but The Man wants to take a cut.  We prefer to take cash from everyone.  Checks from family and friends.  We accept Venmo to @doug-mcabee-2.  We can also accept Paypal through the "send money" option to georgiedmac@aol.com but again....cash is best.

The food.

We'll have complementary snacks and drinks worthy of the drive.  Sweets, drinks, and all sorts of great goodies.  These will go fast!

The internet.

If you can't make the drive, you may make internet purchases beginning at 10am on July 26.  Shoppers who show up may have a head start on the good stuff, so please text, DM on Instagram, email, or call me to be sure the item you want is still available.  You must pay by Venmo or Paypal at the time of the purchase.  Venmo to @doug-mcabee-2.  Paypal payment can be made by using the "send money" option, not "goods and services" to georgiedmac@aol.com or you can email me and we can send you an invoice by email with Paypal link for payment.  Please add the shipping cost to the price when you pay.  If you don't pay shipping, arrange to pick up your item.  Online shopping happens here on this post below.  (Preview online below as updated photos appear.  I'll update this post with photos and prices in the coming days.)

*Shipping will vary based on size and weight.  If you need your purchases shipped, please contact me by text or email before purchasing.

Online shopping begins at 10am, Saturday, July 26.  Some of the items below may be sold on site by the time I receive your message.  (I refuse to be rude and look at my phone while talking to an actual human.)  It's best to shop in person but if you have questions, let me know.

The lowdown.

If you've never made it to the sale in person, you need to come.  There will be tons more than just drawings and sculptures available, WAY MORE than you'll see below.  We'll have steel mugs, vases, flowers, keychains, jewelry, garden art, sweets and vintage clothing!  There will be things that you never knew existed but you can't live another day without.  We are 45 mins from Columbia, 45 mins from Greenwood, 30 mins from Greenville and 30 mins from Spartanburg.


Come on, you know you've always wanted to come to Laurens.  Here's your chance.  Let me know if you have any questions.




ONLINE SHOPPING:


Please consider this a preview until July 26!

I'll be uploading images of items for sale as I get to it.  Remember, sales begin at 10:00am on July 26 and you should check availability as some items go fast.  As far as I now, all of the below items are available as of 10am on July 26....just don't get mad if it's sold in person or online before I get to your order.  I hope you have your scrolling pants on...


5"x7" single sided greeting card.  image on front, blank on back, with envelope

$10 for pack of 5


New Butt Drawings from 2024-25...

Group 1


Group 2


Group 3


Group 4


Group 5



fortune cookie charms and chains by sunny perkins
17", 11", 9"   $20 each


monopoly charms and chains by sunny perkins
8", 9", 11", 11"   $15 each


sealed paper earrings by sunny perkins
crescent moon, sun, banana, waffle/banana   $10 each

monopoly earrings by sunny perkins
$15 each (shoe, wheelbarrow, thimble unavailable)


beautiful glitter earrings by sunny perkins
$15 each


jar of hearts and ice cream cone shell earrings by sunny perkins
$15 each

big box of mcabee art remix prints mounted on foam board
$10 each (availability will vary)


blue high succulent butt planter by leroy perkins
$15

blue low succulent butt planter by leroy perkins
$15

red succulent butt planter by leroy perkins
$15

narwhal/stars 6.5" orchid planter
$20


hearts 2.5" planter
$10


narwhal half glazed 4" planter 
$20


birds 6" terra cotta planter
$15


red pelican 4"x7.5" metal decorative container
$15

green snake 4"x7.5" metal decorative container
$15

yellow weenie dog 4"x7.5" metal decorative container
$15

white snake 4"x7.5" metal decorative container
$15

Genetically modified Goodwill prints:

improved live oak photo print, 28"x34"
framed with glass from Kirklands
$60


improved classic renoir print, 18"x22" framed, matted with glass
$40

improved landscape print, 9"x11" framed, no glass
$10

improved landscape print, 9"x11" framed, no glass
$10

improved landscape print, 9"x11" framed, no glass
$10

5"x9" mirror art by sunny perkins
$15

sealed paper pins by sunny perkins
$5 each

weenie dog canvas critter drawing diptych (2- 8"x10")
$40

whale canvas critter drawing 8"x10"
$15

couple canvas critter drawing 8"x10"
$15


blue bird canvas critter drawing 8"x10"
$15

pelican canvas critter drawing 8"x10"
$15



14" beaded necklace by Katherine Rumminger 
$10

Sage and brown necklace by Katherine Rumminger
(17")
$10

9" bracelet/anklet by Katherine Rumminger
$10

16" pink and white necklace by Katherine Rumminger
$10

16" Kind People necklace by Katherine Rumminger
$10

14.5" flower necklace by Katherine Rumminger
$10

14.5" black and teal flower necklace by Katherine Rumminger
$10

14.5" black, yellow, white flower necklace by Katherine Rumminger
$10

15.5" safety pin necklace (can customize a 4 letter word by request) by Katherine Rumminger
$10

"Wooooooo" earrings by Katherine Rumminger
$10

Photos by Katherine Rumminger

"Open"
5"x7" photo with 8"x10" mat
$10 plus shipping


"The Dixie At Night"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Casper At The Drive-In" 
5"x7" photo with 8"x10" mat
$10 plus shipping

"Buenavista, Greenwood"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Sisters"
5"x7" photo with 8"x10" mat
$10 plus shipping
2 available


"Gao"
5"x7" photo with 8"x10 mat
$10 plus shipping


"Drive-In Lights"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Dixie Lights"
5"x7" photo with 8"x10" mat
$10 plus shipping

"Untitled"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Yes you are"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Timeless"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Waiting"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Greenwood Glass Co"
5"x7" photo with 8"x10" mat
$10 plus shipping


"And She Turns To Him"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Inn On The Square"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Safety"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Fresh Seafood"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Greenwood Glass"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Refrigerator Convention"
5"x7" photo with 8"x10" mat
$10 plus shipping


"310 Calhoun Ave"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Big Mac's Tire Store"
5"x7" photo with 8"x10" mat
$10 plus shipping


"Sculpture With Morty"
8"x10" photo with 11"x14" mat
$20 plus shipping


"The Stories I Could Tell"
11.5"x15" photo with 16"x20" mat
$30 plus shipping


"Meeting Place"
11"x17" photo with 16"x20" mat
$30 plus shipping


Steel Sculptures by Katherine Rumminger

"I Don't Know"
Steel, 2024
11"x19"x12"
$500 plus shipping


"Twice A Day"
Steel and velvet, 2024
8"x17"x11"
$500 plus shipping


"Locus Of Control"
Steel, 2024
15"x16"x11"
$500 plus shipping




"If That Makes You Feel Better"
5"x7" drawing in 11"x 12" black frame
$50


8"x8" canvas print of this popular butt drawing
$30 (only one left)


ceramic piggy bank
$20

4" terra cotta skeleton narwhal planter
$15


5" ceramic bird whale moon planter
$15

5" ceramic bird cloud planter
$15

3"x6" ceramic planter, teeth and ghosts
$20


2"x4" ceramic planter, caterpillar
$12


2"x4" ceramic planter, weenie dog
$12


2"x4" ceramic planter, skulls
$12



McAbee Studio Sale Shirts
$15 each (S,M,L,XL)



1.5" buttons
$1 each




12"x12" drawing on wood
$50
(sweating bird)


16"x20" framed behind glass
$125
(heart bird)


11"x14" framed behind glass
$50
(pelican)

11"x14" framed behind glass
$50
(jaba gator)

16"x20" framed behind glass
$125
(snake)


16"x20" framed behind glass
$125
(skeleton plant)


24"x36" drawing on wood
$150
(smiling dog)

3"x3" stickers
$2 each
(dude)

3"x3" stickers
$2 each LOW STOCK
(Jesus)

3"x3" stickers
$2 each LOW STOCK
(bird)


3"x3" stickers
$2 each LOW STOCK
(whale)

various butt drawings $20-$25 depending on the size
check for availability


5"x7" framed behind glass
$30 each
(cloud or bird)

4"x6" framed behind glass
$30 each
(dog or chicken)

Yard Art by Leroy Perkins!!!!
(shipping is a beast for yard art so obviously, add shipping if shopping online)

Brand new mushrooms! Sizes range from 9" to 13" tall
$25 each  (pink one is gone)

Cursive "Love" steel garden sign
$25


Snake $30



"Welcome" garden sign
$25


Happy cat
$40


Leroy Perkins colorful flowers
sizes vary but these are the different colors available
$20 each

Leroy Perkins blue bull
$40

Leroy Perkins blue cow
$40


NEW Indoor Silverware Birds by Leroy Perkins

Heron
20"x10"x13"
$45


Wren
6"x12"x8"
$30


Hummingbird
6"x5"x11"
$30



Loving Rabbit
31"x21" in a poster frame
$100

The Amish UFO
22"x26" framed behind glass
$100

Love Bird
12"x12" on wood
$50

Storm Whale
12"x12" on wood
$50


2022 McAbee Studio Sale Shirts
Each one is handprinted and hand dyed
$15 each

XL

MED

MED

SMALL

SMALL



hand drawn sharpie on medium Goodfellow tee
$15


hand drawn sharpie on medium Goodfellow tee
$15


hand drawn sharpie on medium Goodfellow tee
$15


WONDERFUL DRAWINGS BY KATIE CARVER
all 5.25"x5.25" framed
$35 each

limited unframed prints, $15 each.

check availability

Group 1
Unframed
$15 each


Group 2
Unframed
$15 each


Group 3
Unframed
$15 each


Group 4
Unframed
$15 each


Group 5
Unframed
$15 each


Group 6
Framed
Large 8"x10" $50
Small $35 each


Group 7
Framed
$35 each


Group 8
Framed
$35 each


Group 9
Framed
$35 each


Group 10
Framed
$35 each


Group 11
Framed
$35 each


Group 12
Framed 8"x10"
$50 each




17"x21" improved pooh print framed behind glass
$75


"the 1" 2.75" circumference beaded stretchy ring
$5 plus shipping

"mine tv" 3" circumference beaded stretchy ring
$5 plus shipping

"pink beaded ring" 2.5" circumference
$5 plus shipping

"amber beaded ring" 2.75" circumference
$5 plus shipping

"my heart" 2.75" circumference beaded stretchy ring
$5 plus shipping

"button necklace" 18.5" circumference brown button with clasp
$20 plus shipping


"multicolor pastel beaded ring" 2.5" circumference
$5 plus shipping


"baby" key ring $5 plus shipping


"guts" 9" circumference stretchy beaded bracelet
$5 plus shipping

flowerpot bumble bees 13" long
$5 each (one pink and one yellow available)


silverware birds in various colors
$30

funky giraffe, 5"x7" framed
$30

oh no cow, 5"x7" framed
$30

happy t-rex, 9"x12" framed
$40