Friday, July 24, 2026
making fun, part 1: delivery
Sunday, July 19, 2026
1st and 2nd summer
The question came today. “So, what are you doing with all your extra time this summer?”
It wasn’t aimed like a weapon. Wasn’t intended to provoke. Still, I could hear the tacit message. “You have three months off of work. What’s that like?”
Teachers who work on 9 month contracts get this question a lot. Sometimes it’s not so much a question as it is an opportunity for the person on the 12 month contract to say “Must be nice!”
For the K-12 teacher, I’m sure there’s an overwhelming sense of rage hearing this question from a person who gets to take a half hour or even an hour lunch break where they can eat a meal without interruption, maybe even use the restroom. It sorta sounds fair to allow a human to use the restroom whenever they need to for three months when you deprive them that freedom for nine months. If you are not in the loop, K-12 teachers can’t leave students unattended by law and in the 3-5 minutes they have between each class period, they have to reset their rooms and stand in the door to greet students. Peeing is not allowed, and you can absolutely forget about pooping until you get home.
While that part is easy to point to as an infringement on a basic human right, the much more difficult part of the job is being “on” for 8-9 hours each day when you are around students and having zero breaks as you must continually assess and reassess the educational situation for each student in your room. The mental and emotional toll is difficult to describe.
I teach legal adults and I do have the freedom to pee when I want to, but usually that’s a freedom I can make time for once during my educational day. In the sculpture studio, I do have to be physically present much more than a non-studio professor so that I can supervise and monitor for safety. There’s also so much emotional and educational surveying, assessing and adjusting that needs to be done. I’m not sure how much time you spend with 18-22 year olds, but their emotional needs are very, very high. And that’s if they’re good students who actually want to be there. Heaven forbid you get one that is in a bad mood, is having relationship troubles, or just plain hates you and your class.
College professors are bound by job requirements related to academic research. What most students and non-professors don’t understand is that this academic research takes a LOT of time and energy. Some professors have 1 hour class periods and they get to spend their office hours doing research and writing articles and books. I can only assume they get to have weekends off and maybe they even enjoy a few vacations and weeks off during the summer.
I more than meet my requirements for academic research every year because I love what I do. For me, a studio art professor, academic research looks like making new artwork, applying for exhibits, grants and fellowships, and traveling to exhibit and research artwork. And this is where you lose some people’s sympathy.
“It must be nice to get to draw some pretty pictures and call that research” is a statement I heard from a colleague who was completely out of touch. If I’m honest, I wanted to say that from my perspective, it must be nice to sit in an air conditioned office and type an article and call that research. I didn’t say that because I’m at least smart enough to understand that I don’t understand everything. I’m sure their research is difficult. I’m also sure they have no clue about how difficult it is to imagine, plan and create a new body of relevant artwork.
Creative research takes a level of focus that is tough to maintain during the semester. For many professors, this forces them to choose between teaching and creating. Some choose to pull back from classes and focus more attention on their own work. Others choose to prioritize their students and just make art when they can. I take a lot of pride in my teaching and I love my students, so while I do create artwork throughout the calendar year, much of my annual creative output comes during May, June and July.
My answer to the question about what I’m doing in the summer is typically one word, “working”. Am I getting up at 5:00 am to run in the dark? Heck no. I’m definitely sleeping to at least 7:30 am and taking my time having my really good coffee and my kid’s breakfast cereal. Am I stressing about what I’m doing that day? Heck no, I’m cool as a cucumber and my blood pressure is low. But let me assure you, I AM working.
Probably harder than you.
I mean, unless you do a lot of physical labor every day. I’m not out here competing with roofers in the summer, but I am putting in hours of physical labor along with the more difficult to measure intellectual labor, the latter of which may just keep me up in the middle of the night because my brain doesn’t want to stop thinking.
In a few weeks, I’ll return to campus and I’ll pass a professor in another department in the hall or I’ll sit with them in a meeting. They’ll smile and ask how my summer was. I’ll smile and say it was nice. It was. But not because I did nothing for 3 months. Not because I relaxed on a beach for 3 months. Not because teaching is easy and teachers “get summers off”.
It will have been nice because I love what I do and I’m happy when I’m teaching and I’m also happy when I’m 100% focused on making new artwork.
Now that my Summer Studio Sale is over and much of my home has returned to its normal state, I plan to enjoy my 2nd summer. 1st summer is the last half of May and most of June. That’s when most of the new artwork was created. Then it takes a few weeks to prepare for and to host the Studio Sale. With that behind me, I can once again focus on making new drawings and planning a new outdoor sculpture. I have to make that 7 hour drive a couple more times to pick up artwork and I also have a couple of solo exhibits I need to submit proposals and information for. All of that needs to happen during 2nd summer, before classes begin in mid-August.
Compartmentalization is one of my superpowers but I’d be lying if I left you to believe that I don’t think about school during the summer. There’s honestly not a day that passes when I don’t think about upcoming projects and opportunities for students. I’ve already been ordering materials for projects and planning when two of my students are going to be working on a commission. I’m teaching 2D Design again this fall so I’ve been thinking about how I will meet the incoming freshmen where they are without scaring them away. I’ve also been thinking about the students I haven’t quite cracked open yet. Is there still time? Do I still have hope? How much effort will I be able to give them beyond the baseline? Can I put Tony the Tiger in my new drawing? Will the neighborhood black bear eat me on one of my runs? Can I get up the nerve to ask that person if they will model for a drawing? Why is this hawk walking around on the ground digging? Sorry. There’s a lot going on.
Monday, July 13, 2026
the summer studio sale !!!!!!!!!
It's time for the Summer Studio Sale! The one day of the year you are actually invited to my house.
Saturday, July 18 you'll be able to tour my drawing and sculpture studios and purchase super cool artwork at super affordable prices. This year I have more amazing guest artists with work for sale. Here's everything you need to know:
Most Importantly...
Yes, you should come. Don't know me that well? Not sure if its for you? Don't have a ton of money to spend? Come! We would love to see you, talk to you, and there are things for every budget!
The location.
6815 Hwy 49 Laurens, SC 29360, it's probably about an hour from everywhere but well worth the drive.
The date and time.
Saturday, July 18, 10am to 5pm
The goods.
Drawings, sculptures, and wearable art will be available from me. Other guest artists will be here too. Cool garden art will be available from my friend Leroy Perkins. You have to see it all. I'll also have all your favorite butt drawings at ridiculously low prices. Seriously, we'll have all the stuff you can't live without!
The prices.
There will be art priced from $2 up to the hundreds. There's no gallery commission here, so this is as cheap as you'll ever see it. Something for every budget!
The payment.
Venmo and cash are your best friends. We take debit and credit cards but The Man wants to take a cut. We prefer to take cash from everyone. We accept Venmo to @doug-mcabee-2. We can also accept Paypal through the "send money" option to georgiedmac@aol.com but again....cash is best.
The food.
We'll have complementary snacks and drinks worthy of the drive. Sweets, drinks, and all sorts of great goodies. These will go fast!
The internet.
If you can't make the drive, you may make internet purchases beginning at 10am on July 26. There will be very limited items listed here for online shopping this year. If there's something specific you want, message me directly. Shoppers who show up may have a head start on the good stuff, so please text, DM on Instagram, email, or call me to be sure the item you want is still available. You must pay by Venmo or Paypal at the time of the purchase. Venmo to @doug-mcabee-2. Paypal payment can be made by using the "send money" option, not "goods and services" to georgiedmac@aol.com or you can email me and we can send you an invoice by email with Paypal link for payment. Please add the shipping cost to the price when you pay. If you don't pay shipping, arrange to pick up your item. Online shopping happens here on this post below. (Preview online below as updated photos appear. I'll update this post with photos and prices in the coming days.)
*Shipping will vary based on size and weight. If you need your purchases shipped, please contact me by text or email before purchasing.
Online shopping begins at 10am, Saturday, July 18. Some of the items below may be sold on site by the time I receive your message. (I refuse to be rude and look at my phone while talking to an actual human.) It's best to shop in person but if you have questions, let me know.
The lowdown.
If you've never made it to the sale in person, you need to come. There will be tons more than just drawings and sculptures available, WAY MORE than you'll see below. There will be things that you never knew existed but you can't live another day without. Plan to take your time. We love to chat with you and it really takes a while to see everything. THERE'S SO MUCH STUFF TO SEE!!!! We are 45 mins from Columbia, 45 mins from Greenwood, 30 mins from Greenville and 30 mins from Spartanburg.
Come on, you know you've always wanted to come to Laurens. Here's your chance. Let me know if you have any questions.
ONLINE SHOPPING:
New this year, we are only offering a few online shopping options. These are relatively easy to ship. We'll be happy to sell you something larger and more expensive online, just contact me for that. Here's what you can easily get online this year:
Thursday, July 9, 2026
probably about to offend you
It was a hot July morning in 1976. Mom was already at work and my dad had decided it was time for all living beings to be awake in our house. He was pretty fond of waking us up by 9:00 am just because he thought it was bad for people to “lay around the house all day”. My brothers and I were gruntled at having to get up at such an ungodly hour in the summer, but luckily, there was solace at the kitchen table.
The bright colors and fun characters from Post, Kellogs, Quaker Oats and General Mills were there to cheer me up and to get my day started with a bolt of sugar. I would eat my cereal while studying the back of the cereal box. While I took in my sugar, I also took in the latest adventures of Cap’n Crunch. I mean, if I didn’t help him get through the maze, he might never get his Crunch Berries back.
Yes, I am grateful that my parents bought us “sugar cereals” when we were kids and I’m happy to tell you why.
More importantly and more seriously, I’m happy that I had the visual influence of sugary cereals in my early childhood development. Cap’n Crunch and his brightly colored Crunch Berries took me on seafaring adventures on the color filled back of the cardboard cereal box. Super Sugar Crisp’s Sugar Bear, who from adulthood looks a lot like a smooth talking cereal pimp from movie, showed me how to be cool by not stressing about things.
There at the kitchen table, my blood sugar levels spiked as my eyes feasted on the sugary sweetness of bright colors, bold imagery and cartoon narratives about good and evil. I really don’t even have to squint my eyes very hard to see the similarities between that sentence and my latest artist statement.
I’m basically a human hummingbird so it’s no secret that I love sugar and sweet things. In recent years, I’ve come to associate bright rainbow colors as the visual equivalent of sugar, especially when it comes to my artwork. Those bright colors come from white light and light is associated with the birth of our Universe. You can interpret that religiously or spiritually if you ascribe to such beliefs or you can take it at face value. Our solar system star provides exactly the right amount of light and temperature for life to exist on our planet. Everything we are able to see is because of how our eyes perceive that light. Light is life. I like to further extrapolate that into light being a symbol of joy, happiness and hope.
Joy, happiness and hope...those were all there at the breakfast table with sugary cereals. None of this was serious and all of it was whimsy. This was the last place that magic and silliness could tickle our tastebuds before we headed out into the real world, a place with no leprechauns, no talking Sugar Bears and no good Cap'ns working hard to bring the freshest Crunch Berries to our tables. The actual treasure inside those "specially marked boxes" was the secret to a happy life. Don't take things so seriously. Life can be fun and silly and magical if you're willing to look for those things.
As a student of design, I know that those cereal boxes were intentionally using bright colors and cartoon mascots to appeal to kids like me hanging on the back of the metal buggy in the local grocery store. As the wonky wheel squeaked down the cereal aisle, I would cast my eyes over the sea of color and happiness stacked on each shelf and my mouth would water as I begged my mom for my flavor of the week.
As an academic engaged in constant creative academic research, I know that those colors and those flavors influenced my visual vocabulary. I know that I learned a particular way of storytelling by reading the back of the cereal box. I see how that sugary sweetness flows through my color and imagery choices today as I stand over my drawing table and visualize how a cereal mascot could be the perfect way to suggest something over in that space.
But then I wonder if the healthy kids will get the reference.
Then I wonder if they ever knew true happiness and silliness like I did when I tore into that box of cereal after I helped my mom put up the groceries and then had cereal for dinner.
If it's been too long since you laughed, if you don't enjoy your job or if life just has you in a chokehold right now, let me suggest you take a walk down the cereal aisle and pick up a brightly colored box of artificial sweetened cereal with a fun cartoon character on it. Enjoy a bowl while you study the back of the box and let some whimsy back into your life.
Sunday, June 28, 2026
mrs. pat vs. the patriarchy
Every kid loved and respected Mrs. Pat.
Each Sunday morning, I and every other kid less than 13 years old in my church, went to our respective Sunday School classes for 45 minutes. These were divided up among grade levels and had small groups of 5-10 kids in each class. After these small group lessons, all kids ages 5-12 went to “Children’s Church”.
The adults didn’t want a bunch of antsy kids being loud and moving around during the adult worship service. At some point, they had the great idea to create “Children’s Church” so they could have an hour of sermons and songs sans kids. Of course, that meant that someone would need to be in charge of the kids, make sure they didn’t run out into the street and perhaps even provide some quality education for them. Cut to Mrs. Pat.
She was a perfect mixture of silly and serious. She had puppets, the old fashioned kind inspired by Jim Henson’s muppets and widely embraced by the Christian culture of the 1970s and 80s as a tool to reach children. She used animated voices when she talked and every Sunday, she had an imaginative and impressive Children’s Church lesson prepared for the very large congregation of fidgety kids.
To be an authority figure for so many, she was relatively small in stature. She was a smaller woman, always in make-up, always in a dress and always ready to deliver a Bible lesson. Her hair was that always perfect bouffant of the time period with a little bit of blonde always trying to turn to gray.
Children’s Church was her domain and she ran a tight ship. There was a schedule and routine of events that was almost military in its precision. She had done her research and she knew exactly what kids in this age range needed in order to retain information. She was also surgical in her behavior management. She was a badass.
I was not always the easiest kid to manage. Quite distinctly, I recall the first few songs and activities allowing us to move our bodies, to be loud and to have fun. Near the end of this time, she brought the energy down noticeably and when she began to move into the listening time of the service, even I knew that it was time to be quiet. When I would get restless or start talking to my neighbor, it only took one stern look from Mrs. Pat to shut me up.
When I think back on the years I spent in Children’s Church some 40-50 years ago, I don’t find it the least bit odd that Mrs. Pat ran things so efficiently. What I do find odd is how she was even in charge of Children’s Church in the first place. You see, this was a Southern Baptist Church and she, if you haven't guess it, was a woman. (I guess you've noticed this post isn't about art or running. I hope you'll stick around anyway.)
I’m not really even sure this is still news because it’s been a known thing in the churches I grew up in for my whole life, but the Southern Baptist Church recently had their annual meeting and said again, officially that women should be quiet in the church and definitely not have any leadership roles. I’m not the least bit interested in your opinion about this decision. If you’d like to discuss the theological background for such a rule, I would welcome that conversation. I’d love to discuss with you how many Biblical scholars do not believe that Paul actually wrote half of the letters attributed to him in the New Testament and how it’s dangerous to take a single line written 1000+ years ago to a different culture and attempt to apply it literally out of it’s original context. But that’s not why we’re here today.
When I was in the Children’s Church age range, I have vivid memories of playing in the nursery rooms across the hall from the church office while my mom kept up with the business of the church. She was the church secretary and in addition to logging the minutes of every church business meeting, she also had other business responsibilities that helped keep the church physically afloat while I stacked blocks next door or simply played under the giant conference table in the office. Looking back now, it’s difficult to balance how important my mom’s role was for the church and how unfit for leadership they viewed her.
We also had Mrs. Helen. (Baptists apparently love calling a female Mrs. and then her first name.) She took care of the younger children during the worship service times. Mrs. Fay was in charge of Vacation Bible School each summer and did all the planning and organizing for that including the long range planning and the day-to-day planning. Then there were the nursery workers. God bless those longsuffering ladies! Every Sunday they held crying, sick babies dumped off on the nursery while parents (and all the men) sat quietly in the service on the other side of the building.
Let’s not forget the many, many women who served each Sunday as Sunday School teachers. For kids, obviously, because how could they possibly teach men, right? Unless the men were just young boys, then it was ok. My mom was one of these too, teaching 5th and 6th grade girls as far back as I can remember. Many of my Sunday School teachers were women until I made it to the teen years.
Mrs. Pat had a daughter my age. As my friends and I moved into our teenage years, our friendship with Mrs. Pat’s daughter allowed us an open window into her life outside of Children’s Church. The church wanted to move to a more modern system of handling Sunday morning worship services and this meant moving Mrs. Pat out of her role. It was easy to feel the secondhand sensitivity involved when you saw someone so dedicated and serious about her leadership role for so many years get told that she was no longer needed. The expression I learned in church years earlier was “rode hard and put up wet” in reference to the mistreatment of work horses. Mrs. Pat spent many years in service as a work horse for her church and was quickly cast aside when the church decided she wasn’t their future.
She hid her hurt feelings well from us as we were socially around her house for a few years during high school. She never said a negative word about church to us. Still, we knew. Just like we knew there were mixed messages in the rules of the church. We sat through sermons about how women shouldn’t be deacons, pastors or paid staff ministers. Then we saw women doing all the heavy lifting behind the scenes in the church. It was no secret that any strict adherence to such a rule about women not leading in the church would reduce the number of weekly events at the church down to one. The sermon. There would be no music because that took the work of women on the piano (Thank you Robin.), the organ (Mrs. Peggy) and more than half the choir. No Sunday School because men wouldn’t be caught dead corralling all those wild kids. No covered dish lunches because, duh. No one would get paid because even after my mom stopped being the secretary and they actually started paying someone to do it full time, she was also a woman (Mrs. Francis).
Echo chambers are tough places to hear new voices. When a group of boys get together and make a “no girls allowed” rule, you can kind of understand that they just want to be left alone and maybe it’s innocent enough. When a group of adult men get together and make a “no women allowed” rule, you have to start wondering what that’s about. If you believe that comes from a literal interpretation of something written to a middle eastern church over 1000 years ago, you should also wonder why that particular letter got voted into the approved texts and why many other letters that mentioned the important leadership roles of women did not. And if you want to be truly objective, you have to at least consider why men would want to keep women out of these positions. Do the men have something to gain? Something to fear?
Just don't look for answers to those questions in your echo chamber. You'll only get the same rhetoric and dogma that has the old stamp of approval on it. Questions are bad in echo chambers. Education is frowned upon. Echos are simply the same thing repeated back again and again in systems completely built by likeminded people. Maybe you are a very learned individual with a PHD or some other letters behind your name. I think that's great, as long as you understand the curriculum you studied was built around a very specific interpretation of the Bible. The professors who mentored you had to sign a covenant agreement to not speak, teach or conduct research outside of the established and approved system of beliefs. They taught you what they were taught from the same system. And now you believe that's the (capital T) Truth and that every other Bible scholar is wrong. Hello! (Hello, hello, hello, hello).
If you adhere to a different flavor of Christianity, you probably think this whole topic is goofy. I mean, didn't the church notice that Mrs. Pat had a perfectly capable husband? Why wasn't he the one with all the God-given talent for teaching kids? Surely Mrs. Pat wouldn't have been gifted leadership skills if she wasn't supposed to use them.
If you lean towards being a Southern Baptist, you should know the Southern Baptist Church has a bit of an image problem that doesn’t stand up to close inspection. And you have to wonder whose image they are currently bearing. I have to wonder, in the end, did Mrs. Pat feel loved? Or just used? And after she was no longer needed, did her church even care?

























